Last weekend, I had the opportunity to attend a workshop with Sisters in Crime, Northern California. It was called “Thumbs Up, Thumbs Down,” and members were invited to submit the first page of their manuscript to the panel of three distinguished authors. The page was read aloud and the panel gave their critique and opinion as to whether they would keep reading, and whether they thought an agent would keep reading as well.
The three panelists were Sophie Littlefield, Gillian Roberts and Keith Raffel. When the meeting started, I’ll be honest, I was a tad nervous. Okay, I was really nervous, and had been the entire drive up from Oakland to Marin. Yes, the critique would be anonymous, but it would also be very public.
I spent too much time tamping down my Inner Critic as it tried to predict all the ways the panel could tear my writing apart, and ignored said Critic when it suggested I grab my page out of the purple box and run for Mt. Tamalpais with it. Instead, I sat in the second row and waited for the impending doom. At least if mine was one of the first to be critiqued, the ordeal would be over and I could relax.
Of course, mine wasn’t first. No, mine was second to last. The penultimate submission. Which gave the Inner Critic a good two hours to mess with my head.
In reality, I enjoyed the session. I loved hearing other people’s pages. This is a talented group of writers, and I heard many story beginnings I would’ve loved to read more of. The panelists were encouraging and constructive with their feedback. I told myself I wasn’t crazy to think I could do this writing thing. And I was right. The panel liked my first page.
They suggested moving a line around and had some questions (when you’re writing about huldras, questions are inevitable), but the major feedback was that this fit right into the urban fantasy genre and that it worked. Hearing that felt great.
In my next post, I’ll share some of the most helpful advice I learned from the panelists about the market and what works in the opening page.