Writing Update

Since my last post, I received the news that my short story, Bombs Away, won first place at the San Mateo County Fair Literary Arts contest, Mystery/Thriller Short Story/Adult category. The story is the same one that will be published this summer in Low Down Dirty Vote, a charity anthology to support the ACLU. I’m excited for readers to meet Olivia, community organizer and Black Lives Matter advocate, who takes on a bomb threat at a poll on Election Day.

I’ve also been working on meeting a May 31 deadline for several other projects.

One is a short story submission to the Mystery Writers of America Young Adult Anthology. That story is titled The Prank. It’s been critiqued by two of my beta readers and I’m now making sure it meets the submission requirements.

Contests and anthologies have specific formatting guidelines, and I’d hate for my entry to be disqualified because I didn’t follow them. (Much better to be rejected because my story’s not good enough. Or…wait…)

It’s things like font size, margins, cover page, and even deleting your personal information from the file itself so the entry can truly be evaluated blind.

My other May 31 deadline is a Fantasy Agent submission through Guppies, an online chapter of Sisters In Crime for unpublished authors. The Fantasy Agent is an opportunity to submit the first thirty pages of a novel and a synopsis for evaluation and feedback by a published author. A synopsis is a concise summary of the entire novel. I don’t know how to write a synopsis, but fortunately, Susan Dennard does and explains how here. I’m going to submit one of my previous NaNoWriMo novels.

May 31 is turning out to be good timing since the kids are off school in a couple of weeks and we have some trips planned early in the summer. I’m looking forward to pressing Send on these submissions. Then…to hurry up and wait!

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Berry Bombs of Wisdom from Mysti Berry

Recently, I was fortunate enough to have a coffee date with Mysti Berry. Mysti is a screenwriter–novelist–short story writer and all around awesome human being. We talked writing for an hour and she gave me permission to share some details of our conversation.

I told Mysti about my quest to be Jessica Fletcher, ie, a successful mystery writer who also does other things (such as work, raise three small children, etc, etc). I know that Mysti has a full-time job that is not writing fiction, so I asked her about her personal writing routine and her writing goals.

Mysti’s routine includes early morning writing and writing with friends which she says helps her stick with the program. She also takes writing retreats where she disappears into a dark lair (or just a hotel room) for a weekend to power through some writing or editing goals. The idea of writing for a weekend kid-free sounds like heaven to me. I hope my husband is reading this post.

I asked Mysti what she does when she gets stuck. She said she first yells at herself, which she does not recommend as a strategy. Some strategies she does recommend are:

  • Look for where the plot went wrong earlier in the story. Sometimes you can eliminate a later problem that way.
  • Ask certain questions about the problem: Is it structural? Is it character? Am I taking the story in the wrong direction?
  • Talk about the problem with others
  • Make a list of ten things to try to fix the problem

I then asked Mysti about her writing goals. She has both aspirational goals, like getting her novel published, and more concrete goals, such as:

  • Finish dialogue edits by x date
  • Send to agent by x date
  • Word count goals (if working on a first draft)
  • Hourly goals (spend x amount of time writing)

She also has a writing strategy. Mysti has had her short stories published, so she intends to keep writing and submitting those. She is working on an anthology of short stories as a way to dip her toes into the self-publishing world. And she continues to work on her novel and submit it to agents.

My talk with Mysti inspired me to come up with my own list of strategies to try when I feel stuck in my writing and to work on a long-term strategic plan for my writing goals. In the meantime, I hope I get to drink more coffee with Mysti soon.

Types of Writing Goals: Output Versus Outcome

If you’re wondering how last week’s goals went: very well! I wrote a 5500 word short story, some book reviews, and worked on this blog. I exceeded my goal of fifteen minutes per day, some days writing up to an hour.

It got me thinking about types of goals. The goals I set for myself last week were output goals. In other words, I just promised myself I would produce words, not that they would be any good.

Goals around output can be short-term, measurable, and quantifiable. Examples of Output Goals:

  • Write 1,000 words per day for a week/month
  • Write one short story/article/blog post/chapter per week
  • Write every day for fifteen minutes
  • Enter one writing contest each month
  • Query one agent per month

Output goals are within your control and you can easily tell whether you’ve met them or not. But the ones listed above don’t measure quality. I actually do want my work to be measurably good. I can judge my own work, to an extent, but having outside validation feels important too. So I also made some outcome goals.

Goals around outcome are not necessarily measurable in the short-term and depend on outside factors coming together as well as your own hard work. Examples of Outcome Goals:

  • Win a writing contest
  • Sign with an agent
  • Get a book deal
  • Sell x number of books by the end of the year

My output goals are to submit to four anthologies/writing contests between now and May 31. My outcome goals are to have at least half my submissions accepted/win something. Spoiler alert: I’ve already submitted one story to an anthology and had it accepted! More details to come.

 

Diversifying Your Portfolio: It’s not just for money anymore

So lately I’ve been thinking about diversifying my writing portfolio. (In other words, writing in more than one genre.)

Why on earth would I be thinking that, you ask? Here are three reasons.

Reason Number One: Because Paranormal is dead.* People gorged on Twilight and True Blood, and in the harsh light of the morning-after vampire hangover, have sworn off all creatures of the supernatural variety.

Except for zombies because apparently those are still cool and sexy? This still confuses me. Somebody please explain the appeal of the zombie.

Asbury_Park_Zombie_Walk_(5144140167)

Um…yeah…

Reason Number Two: If you can write and sell romances to one niche audience, thrillers to another, and cozy mysteries to a third—then you are insanely talented and you should go do that. Even if you do end up going with a traditional publisher (full disclosure: I hope to be one of those people one day), you might end up working with several different-sized publishers for different books. You might release in e-book and/or paper book, depending on what makes sense for that book. You might traditionally publish your more market-friendly genres, and independently publish your collection of lighthouse-themed haiku. All options should be open.

Reason Number Three: Because I’m a human being. (Oops, was that a big reveal? I hope it wasn’t.) Being a human being (that sounds awkward, but you know what I mean), I like to read different kinds of books. For example, there’s teens versus government conspiracy a la Michele Gagnon, Kelley Armstrong and Malindo Lo. Humorous romantic mysteries like those by Gemma Halliday and Liliana Hart. I also enjoy a good true-life polar or mountain-climbing disaster.

The point here is that I read in multiple genres, and it makes sense that I might try writing in different genres too.

*By the way, I don’t believe in Reason Number One. The market is glutted, and publishers aren’t buying new paranormal, that’s true. But readers are out there and everything comes around again eventually.

What are your thoughts? Do you write in multiple genres? Let me know!